October 8, 2009

Affordable Healthcare for ALL (Even Artists)

Sun., Oct. 25, 11 - 12:00: PAC-WE "flash mob" convenes at the Morton Meyerson Symphony Hall, Dallas, TX, under the Mark di Suvero sculpture (the big orange-ish - red, x-ish, pendulum thing).

Many if not most artists and art professionals are independent contractors who must either pay dearly for health insurance or go without. PAC-WE is being organized in order to demonstrate in support of the meaningful health insurance reform so many of us badly need. As I understand, yellow ponchos will be provided in return for a very small donation, for participants to wear. The organizers write,

PAC-WE: An ACTION by and for the North Texas Art Community calling for health care reform.

PAC – WHAT? The Professional Artist Coalition is a ‘flash mob action’ creating a bright public yellow signal for health care reform. A first for Dallas, and this cause.

PAC - WHO? The North Texas art community. This includes thousands of citizens daily engaged in the visual, performing, literary, media, and commercial arts.

PAC- WHERE? Morton Meyerson Symphony Hall- convene under the di Suvero Sculpture ‘Proverb/ Pendulum for preparation of happening.

PAC- HOW? Show up and bring your friends, your coffee and donuts.

PAC- WHY? Because artists of any kind stand with the American people to demand a change to the status quo of a broken health care system. Because artists are unique victims of the health care status quo. Most are independent contractors, uninsured or underinsured. Because artists are fed up with other PAC's (Political Action Committees) funded by insurance and drug companies that are fighting to care for profits instead of health. Because the North Texas art community realizes that at the very moment that Dallas is celebrating its new PAC (Performing Arts Center), with architects and programming imported from elsewhere, it has no plan to sustain its own creative community. Because artists have been silent and invisible for too long when it comes to the health and care of our society.

PAC WE - The Origin of the Concept. PAC MAN is a sign of consumption. We often consume health care and culture without thinking about its wider context. We don't ask why healthcare costs so much or why so many are left without it.

We also don't ask about the livelihoods and healthcare of the artists that are seen as culture providers. Since the cuts in arts funding on a national and local level (most notably during the culture wars of the 1990s) artists have been cultural workers who contribute to our communities with little or no support in return.

But PAC MAN is also a sign of the earliest glimmer of technology and its promise for the future. When it was invented in the 1980's we would never have guessed that the internet would create a world that was so connected and empowered by the access to information. These qualities drive this event by connecting us and empowering us, based on our access to information that is so condemning of the status quo. These qualities bring us together on this day for this action.

We use the yellow color of PAC MAN as a sign of wisdom, optimism, clarity and awareness.
At left is a map of the location/route (click on the image for a larger version). See PAC-WE's facebook page, and more details soon at PAC-WE.

ALSO, MoveOn is holding a "Whose side are you on?" rally at noon on Wed., Oct. 14, at Senator John Cornyn's Office in north Dallas at 5001 Spring Valley Rd., Dallas (map).

October 7, 2009

The Yes Men's New Movie,

Fixing the World (larger version here). Keep watching at least 'til you get to the "Halliburton Surviva-Ball." More info here.

October 6, 2009

Kittywigs iPhone App

now available; details here (see also my previous post here). Can't wait to see it on my boyfriend.

Monofonus Press's

American Trashcan field recordings is worth visiting even if just to see the header (you have to watch for a bit to get the full benefit).

The entries look cool, too.

FBI Investigates Coder for Downloading Public Records

Per Wired, 22-year-old programmer Aaron Swartz has been investigated by the FBI because the Government Printing Office experimented with offering free access to its database of public court records, and Swartz made the mistake of accepting their offer.

Swartz downloaded 19,856,160 pages, uploaded them to amazon.com's EC2 "cloud" service, and donated them to public.resource.org, "an open government initiative spearheaded by Carl Malamud as part of a broader project to make public as many government databases as Malamud can find. It was Malamud who previously shamed the SEC into putting all its EDGAR filings online in the ’90s, and he used $600,000 in donations to buy 50 years of documents from the nation’s appeals court, which he promptly put on the internet for anyone to download in bulk."

Prior to the GPO's experimental offer, the records had been available only for a fee of 8¢ per page, or more if purchased through a privately-owned, commercial intermediary. When the gummint figured out what was happening, they abruptly terminated the experiment and notified the FBI that the database was "compromised."

A partially-redacted FBI report shows they ran Swartz through a full range of gummint databases, among other things checking his work history, his Facebook data [see, e.g., here and here], whether his cell number had ever come up in a federal wiretap or pen register, and checking him against a private data broker’s database; they also obtained his driver's license photo and considered a stake-out of his home (which they concluded would be too conspicuous, since few cars parked on Swartz's dead-end, suburban street).

"The feds evidently identified Swartz in the first place by approaching Amazon, which provided his name, phone number and address. . . . Amazon’s user agreement for its cloud computing solutions gives it the right to turn over customer information to the government on request."

More at Wired. (And for more on Amazon's role, see Amazon EC2 and Amazon VPC.)

(Thanks, Ben!)

October 5, 2009

"Second Life Performance Night" at Eyebeam

(NY). "Alan Sondheim along with Foofwa d'Imobilite will present a performance using the aesthetics of the Second Life (or see Wikipedia) environment to create an experimental choreography; Lily & Honglei will present The Merry-Go-Around — a virtual installation addressing a series of environmental issues in today’s China; [and] Second Front has discovered a virtual crypt within Second Life and are inviting the public to witness its opening. Together, these three short performances (12-15 minutes each) will sample some of the contemporary trends in Second Life performance art.

"The performances will be followed by a brief panel discussion and a subsequent launch party of Avvie Road — the second DVD of Second Front’s performance works."

More at Eyebeam; wish I could be there.

Exhibition, "Performance/Art": Shonibare, Ahtila et Al. at the DMA

Opening on Oct. 8, and including

British-Nigerian artist Yinka Shonibare’s film Un ballo in Maschera (A Masked Ball), based on Giuseppe Verdi’s opera of the same name . . . ; Finnish artist Eija-Liisa Ahtila’s quietly intense and atmospheric evocation of an ill-at-ease mind, the three-screen film work Talo/The House; a new installation work by Dallas-based artists Frances Bagley and Tom Orr based on the spectacular sets and costumes they designed for a 2006 Dallas Opera production of Verdi’s Nabucco; . . . a selection of Argentine artist Guillermo Kuitca’s powerful paintings and drawings based on album covers and seating charts of major theaters and opera houses; and David Altmejd’s spectacular sculpture, The Eye, . . . created in conjunction with a recent Metropolitan Opera production of John Adams’ Doctor Atomic.
Through Mar. 21, 2010. More at the DMA; or for more on Shonibare, see my previous post.