June 13, 2010

Symposium: "ART WORK: A Local Conversation About Art, Labor, and Economics"

Photos here. (A great crowd, esp. for a this kind of thing and this time of year.) This was the second of three events in the ART WORK in dallas series inspired by Temporary Services' ART WORK project.

Last up: the program of readings at CentralTrak on June 19 -- be there!

Program at CentralTrak: "ART WORK: Readings"
Where: 800 Exposition Ave. at Ash, Dallas, TX
When: Sat., June 19, 7:30 - 10:00 pm

Readings of excerpts from ART WORK, including history, fiction, autobio, and other writings by Temporary Services, Artforum writer Gregory Sholette, artist Nicolas Lampert, author Cooley Windsor, writer Brian Holmes, "Anonymous," and others. Support for actors' fees is provided by Undermain Theatre; organized by Carolyn Sortor. Doors open at 7:30; program starts at 8:00 PM.



(You can download a complete copy of the ART WORK issue here. There's also more info and links re- Temporary Services and the ART WORK issue/project here.)

June 12, 2010

Made in Internet: "Background Story"

by Kristin Lucas. "A sequence of fair use background images arranged for aesthetic and formal reasons, paired with a short story assignment generated through Amazon's Mechanical Turk in response to the image sequence."



(Thanks, Paul!)

Freud and Veblen

(Thorstein) having been mentioned in conversation earlier this evening, when I found the image at right in my inbox (I like shoes), I thought, displaced beard?

Can't resist quoting that Wikipedia entry on Veblen:

He combined sociology with economics in his masterpiece, The Theory of the Leisure Class (1899), arguing there was a basic distinction between the productiveness of "industry," run by engineers, which manufactures goods, and the parasitism of "business," which exists only to make profits for a leisure class. . . . Although Veblen was sympathetic to government ownership, he had a low opinion of workers and the labor movement and was hostile to Marxism. As a leading intellectual of the Progressive Era, his sweeping attack on production for profit and his stress on the wasteful role of consumption for status greatly influenced liberal thinkers seeking a non-Marxist critique of capitalism. Experts complained his ideas, while brilliantly presented, were crude, gross, fuzzy, and imprecise; others complained he was a wacky eccentric. Scholars continue to debate exactly what he meant in his convoluted, ironic and satiric essays; he made heavy use of examples of primitive societies, but many examples were pure invention.
I hope that's all true.

June 10, 2010

Packing Tape

Tape Installation, Odeon, Vienna (2010), by numen/for use.

Via boingboing (thanks, Ben!)


June 9, 2010

Merton's Chat Roulette Improv



(Thanks, Misty!)

If You Liked Embedded Reporting, You'll Love the "Fake Lake"

Apparently, in order to keep most of the media away from the actual G8 summit, the Canadian government plans to house most of the media in a specially-constructed replica far from the actual summit site:

"Summit organizers are constructing the artificial lake inside Toronto's Direct Energy Centre to showcase the actual site of the G8 summit hundreds of kilometres away in Huntsville, Ont., June 25-26. The temporary media centre will host all but about 150 of the estimated 3,000 journalists from around the world covering the G8 . . . ."
More at CBC News.

The cost for a few days of simulated news? $1.9 million, which includes $57,000 for a fake, 10 cm.-deep lake and $407,000 in consultation, management and other fees. More details at cnews.

Talk about The Society of the Spectacle . . . . And, laugh at Alex Jones; but at least he's not deterred by a lack of accommodations.

Want to See: "Rabbit Test"

Directed by Joan Rivers; with Billy Crystal, Alex Rocco, Roddy McDowall; (1978) 84 min.

"Joan Rivers' sole directorial effort, Rabbit Test features Billy Crystal (in his first starring role) as a nightschool teacher and long-suffering virgin who, after a night of passion, defies medical science to become the world's first pregnant man. Rivers' trademark brand of button-pushing comedy runs wild in this absurdist riot of raunchy humor and gleefully tasteless gags calibrated to offend, well, just about everybody. Includes cameos from a host of character actors and comedians including Imogene Coca, Alice Ghostley, Paul Lynde, and the director herself. It's inconceivably funny!"
(From BAM.)

THE SECOND PROGRAM Schedule

"Our mission with The Second Program remains as before--to bring to Dallas international work that for the most part would not have any other venue in this area. The format for 2010, however, is very different. Here is our schedule of events:

"July 22 - Premiere showing of Brent Green's feature film Gravity Was Everywhere Back Then at the Dallas Museum of Art.

"July 31 - Opening night of The Second Program at Conduit Gallery, an exhibition curated by Charles Dee Mitchell featuring work by David Askevold, Jon Gitelson, Matthew Day Jackson, Luke Murphy, Jason Rhoades, Erin Shirreff, and Bill Viola. (Exhibition continues through Aug 28.)

"August 4 - Dallas premiere of Rape of the Sabine Women by Ann Sussman and the Rufus Corporation at the Angelika Mockingbird Station. (This screening is made possible by a generous donation from Karen Erxleben Weiner.)

"August 7 - An evening of short films curated by Bart Weiss at Conduit Gallery.

"August 18 - Area premiere of Double Take, a film by Johan Grimonprez at the Angelika Mockingbird Station. (This screening is made possible by a generous donation from Half Price Books, Records, and Magazines, Inc.)
"More information on all these events can be found on facebook."

(By the way, some of you have assumed I'm involved in The Second Program; I am not. The Video Association invited me to co-curate again, and I'm grateful for their support of my efforts past and present; but the main reasons I did the first The Program were to get to see a ton of work and bring my video art education up to date {as well to share as much of it as possible with you}, and after the first The Program, having accumulated ca. 90,000 words of succinct notes on works I'd seen, I felt I'd gotten far enough along with that for a while and wanted to focus more energy on other projects. I'm delighted that Bart Weiss and Dee Mitchell are carrying on without me, and I plan to enjoy every bit of The Second Program. Hope to see you there!)