Just got these photos of her work in the (anti) Formula show at 500X. If I understand correctly, Carter sews this work on cellulose paper which she subsequently dissolves; the remaining thread is then installed on the wall with pins. The shadows cast create a disconcerting, eyeball-jiggling jitter. I thought her Bed L.E.M. was especially wonderful. Carter also works in video.
January 12, 2009
Rebecca Carter
Komfort Thru Kool-Aid
Dunno know 'bout you, but I'm keeping a close watch on Obama; and so far, his picks aren't totally reassuring.
When I was 10, I was best friends with Donna Drvaric, who, like me, liked to read.
My parents did a good thing when they chose to buy a tract home on a lot that backed onto Whitnall Park. The park is still there, in a suburb of Milwaukee, which had had a socialist government for many years and thus had stellar infrastructure (many socialists were, far as I can tell, and still are, about serving people – they created a great public school system {my highschool had everything from auto shop to 4th-year Latin, plus a calculus course that made my subsequent East Coast college calculus seem aimed at retards}, the best-designed freeway and other infrastructure in any city I've ever lived in, plus great public parks, among other things {I wish they'd taken a shot at health care}).
So anyway, on the border of my parents' yard and this really great park, I and my sis had located/enhanced what we called a fort but what I also thought of as a refuge. Boulders, trees, and a flat spot.
So during this one summer, Donna Drvaric and I regularly mixed up whatever combination of available Kool-Aid flavors we imagined might be most ambrosial (we had to complicate things); assembled selected fruit (we'd gotten the idea that fruit amp'd the luxury factor); gathered up our current reads and some comfy quilts; spread out in the leafy half-shade of our fort; and spent a decent number of summer days there, reading, eating fruit, and drinking Kool-Aid.
It was Donna's slightly older bro who intro'd me, in one afternoon, to both Love Potion No. 9 and Do Wah Diddy:
Check that drummer. Sorry, they f'd up the end; here are more versions, all enjoyable; but mysteriously, they all kinda f' the endings up:
Four decades later, when my mom was on her last cancer, I shot the pic below as she walked through our "fort" into the park.
January 10, 2009
Re- the Current Economic Crisis,
good summary of where we are, how we got here, and how to fix it, here (6:50 min.)
Photo-Mosaic Sculptures
Rusty Scruby's new show, which opened last nite at The M.A.C., is his most wonderful yet. (Rusty is rep'd by Pan American Projects.)
Made me want to track down images of work by a couple of other artists whose work involves cutting up photos. The second work shown (on the left below) is by Oliver Herring; the last two are by by Osang Gwon.
January 9, 2009
Update on CentralTrak Schedule
January 8, 2009
Something from Nothing.
That's the job description for gods and us as creators. Here, John Cage plays 4'33" by David Tudor.
"I have nothing to say, and I am saying it."
I agree with many of the comments on this video; also, for me, this piece evokes the ultimate inadequacy of all attempts at expression(/articulation) (although those attempts may be our salvation); the longing for space in which to hear one's self (as well as the need to narrow one's focus enough to hear the all-important background noise); the relief of a release from the burden of all of the foregoing, if only for a set time. All of that is too specific, but, I hope, suggestive.
The piece is very existential, I think; and I relate to it because I believe meaning is something we have to manufacture for ourselves, and we can do it out of almost anything, or nothing -- and that we must try to hold ourselves responsible for what we make.
Reminds me of a poem by Wallace Stevens (excerpt):
One sits and beats an old tin can, lard pail.One beats and beats for that which one believes.That’s what one wants to get near. Could it after allBe merely oneself, as superior as the earTo a crow’s voice?
January 7, 2009
Grand Opening of Cao Fei's "RMB City" in Second Life
Sat., Jan 10th, here. Per the press release,
Public Opening Ceremony & Celebration in SecondLife
Jan 9, 2009: 6pm-8pm (SecondLife Time)
Jan 10, 2009: 10am-12pm (Beijing Time)
Venue: People's Palace
(RMB City Hall, aka Sigg Castle)
Landmark in Second Life: RMB City 1, RMB City 1 (153, 32,126)
Special Opening Events
* Speech by China Tracy (RL: Cao Fei)
* Inauguration of RMB City Mayor, Mr. Uli Sigg
* Official opening of the city, with public celebration in People's Waterpark
* Opening and tours of "Master Q's Guide to Virtual Feng Shui" in various locations around RMB City, as well as the first exhibition of UCCA in RMB City (People's Aerial Castle)
* Release of "People's Monthly" (Issue #1), the official publication of RMB City, plus other downloads of information and surprises
* Visitors can visit these and other ongoing projects of RMB City, as well as beginning to explore the full city and all its treasures . . .
RMB City is a virtual real estate project created by Ms. Cao within Second Life ("RMB" is a name for the "real" life Chinese currency). The project is described as "a condensed incarnation of contemporary Chinese cities, with most of their characteristics; a series of new Chinese fantasy realms that are highly self-contradictory, inter-permeative, pan-political, extremely entertaining, and laden with irony and suspicion. . . . A rough hybrid of communism, socialism and capitalism, RMB City will be realized in a globalized digital sphere combining overabundant symbols of Chinese reality with cursory imaginings of the country's future."
(As you may recall, the promotional trailer for this project was exhibited in The Program, in which we also screened Ms. Cao's documentary shot in and about 2L, iMirror.) Lots more info about RMB City here.