Here We Are Now, Entertain Us

From xkcd.

Ditto re- net neutrality et al.

The Commons that Was the Internet, & Why the Creative Explosion It Gave Us May Soon Be Over

Lawrence Lessig has a new article at Foreign Policy summarizing important factors behind the explosive growth of the Internet, and the imminent threats that could end it:

A “commons” is a resource to which everyone within a relevant community has equal access. It is a resource that is not, in an important sense, “controlled.” Private or state-owned property is a controlled resource; only as the owner specifies may that property be used. But a commons is not subject to this sort of control. Neutral or equal restrictions may apply to it (an entrance fee to a park, for example) but not the restrictions of an owner. A commons, in this sense, leaves its resources “free.”

. . . . But within American intellectual culture, commons are treated as imperfect resources. They are the object of “tragedy,” as ecologist Garrett Hardin famously described. Wherever a commons exists, the aim is to enclose it. . . .

For most resources, for most of the time, the bias against commons makes good sense. When resources are left in common, individuals may be driven to overconsume, and therefore deplete, them. But . . . . [s]ome resources are not subject to the “tragedy of the commons” because some resources cannot be “depleted.” . . . For these resources, the challenge is to induce provision, not to avoid depletion. The problems of provision are very different from the problems of depletion—confusing the two only leads to misguided policies.

* * * * *
. . . . [T]he Internet was born at a time when a different philosophy was taking shape within computer science. This philosophy ranked humility above omniscience and anticipated that network designers would have no clear idea about all the ways the network could be used. It therefore counseled a design that built little into the network itself, leaving the network free to develop as the ends (the applications) wanted.

The motivation for this new design was flexibility. The consequence was innovation. Because innovators needed no permission from the network owner before different applications or content got served across the network, innovators were freer to develop new modes of connection. . . . Since the network was not optimized for any single application or service, the Internet remained open to new innovation. . . .

* * * * *
Every significant innovation on the Internet has emerged outside of traditional providers. . . . This trend teaches the value of leaving the platform open for innovation. Unfortunately, that platform is now under siege. Every technological disruption creates winners and losers. The losers have an interest in avoiding that disruption if they can. This was the lesson Machiavelli taught, and it is the experience with every important technological change over time. It is also what we are now seeing with the Internet. The innovation commons of the Internet threatens important and powerful pre-Internet interests. During the past five years, those interests have mobilized to launch a counterrevolution that is now having a global impact.

The article's not super-long but contains much more that's well worth reading.

UPDATE: Great audio of Lessig here discussing the policy considerations underlying copyright law and some reforms we might consider that could actually afford greater compensation to artists while de-criminalizing non-commercial re-mixing and other uses.

SWF Seeks Mr. Right, Inc.

Per The Utne Reader,

The U.S. Supreme Court decided in the widely condemned Citizens United case that corporations enjoy the legal status of people – so a Florida woman is seeking the hand of a corporation in legal marriage.

Sarah “Echo” Steiner of Lake Worth, Florida, will hold a press conference on Saturday, January 22, to announce her search for a suitable corporate spouse, reports the Undernews blog of Sam Smith’s Progressive Review, citing a Facebook press release put out by Steiner.

One of Ms. Steiner's Facebook friends comments, "[s]omeone mentioned being satisfied on the consummation night, and I am thinking 'Too Big To Fail' might have a whole new meaning." Another suggests, "[i]f the courthouse won't issue a marriage certificate, there is another option. When the baby is born, list the corporation as the father of your child. The father is responsible for disproving parenthood . . . . "

Or perhaps a civil union . . . .

Utne also embeds this video about a corporation running for Congress:

Wikileaks Update (2011-01-15): Swiss Banker Leaks Data Re- Tax Evasion; Tunisia; J. Waters Re- J. Lennon; & More

Greg Mitchell is still blogging the Wikileaks story more or less continually at The Nation. He's also written a great article on it here, and The Nation's put together an illustrative slide show here. Best way to find Mitchell's current and prior WL-related blog posts is through this page. Among Mitchell's news today:

[From The Guardian:] "Swiss whistleblower Rudolf Elmer [formerly with [Julius Baer Bank] plans to hand over offshore banking secrets of the rich and famous to WikiLeaks: He will disclose the details of 'massive potential tax evasion' before he flies home to stand trial over his actions." [Can't wait!] UPDATE: Reuters reports that Elmer will deliver two CD's full of info to WL tomorrow (Jan. 17). Elmer's being tried in Switzerland for breaching bank secrecy; but unlike Manning and Assange, he has not been detained and can travel freely. Further UPDATE: The hand-off to Assange has occurred; more at The Globe and Mail.

Scott Shane's new piece at NYT puts him in the camp of those giving a good deal of credit to WikiLeaks for [the] Tunisia revolt. . . . [H]e says the cables "helped fuel the anger on the streets that culminated Friday with Mr. Ben Ali’s flight after 23 years in power," adding, "the diplomats’ disgusted and lurid accounts of the kleptocratic ways of the president’s extended family helped tip the scales, according to many Tunisian commentators."

[Per John Waters, who's about to open a show inspired by John Lennon,] "I think [Lennon would] be thrilled with WikiLeaks. . . . I think the internet has always been potentially a force for freedom of speech and it's proving itself right now. And Lennon would have been just loving that."

Here are some kids' WL-related cartoons; the one shown at right is by #pranav_waghmare.

Award-winning journalist John Pilger has written brilliantly in WL's and Assange's defense; a few excerpts:

On 18 March 2008, a war on WikiLeaks was foretold in a secret Pentagon document prepared by the "Cyber Counterintelligence Assessments Branch." US intelligence, it said, intended to destroy the feeling of "trust" which is WikiLeaks’ "center of gravity." It planned to do this with threats of "exposure [and] criminal prosecution." Silencing and criminalizing this rare source of independent journalism was the aim, smear the method. . . .

* * * * *
"So, Julian, why won’t you go back to Sweden now?" demanded the headline over Catherine Bennett’s Observer column on 19 December, which questioned Assange’s response to allegations of sexual misconduct with two women in Stockholm last August. "To keep delaying the moment of truth, for this champion of fearless disclosure and total openness," wrote Bennett, "could soon begin to look pretty dishonest, as well as inconsistent." Not a word in Bennett’s vitriol considered the looming threats to Assange’s basic human rights and his physical safety, as described by Geoffrey Robertson QC, in the extradition hearing in London on 11 January.

In response to Bennett, the editor of the online Nordic News Network in Sweden, Al Burke, wrote to the Observer explaining that "plausible answers to Catherine Bennett’s tendentious question" were both critically important and freely available. Assange had remained in Sweden for more than five weeks after the rape allegation was made — and subsequently dismissed by the chief prosecutor in Stockholm – and that repeated attempts by him and his Swedish lawyer to meet a second prosecutor, who re-opened the case following the intervention of a government politician, had failed. And yet, as Burke pointed out, this prosecutor had granted him permission to fly to London where "he also offered to be interviewed – a normal practice in such cases." So it seems odd, at the very least, that the prosecutor then issued a European Arrest Warrant. The Observer did not publish Burke’s letter.

This record-straightening is crucial because it describes the perfidious behavior of the Swedish authorities – a bizarre sequence confirmed to me by other journalists in Stockholm and by Assange’s Swedish lawyer, Bjorn Hurtig. Not only that; Burke catalogued the unforeseen danger Assange faces should he be extradited to Sweden. "Documents released by WikiLeaks since Assange moved to England," he wrote, "clearly indicate that Sweden has consistently submitted to pressure from the United States in matters relating to civil rights. There is ample reason for concern that if Assange were to be taken into custody by Swedish authorities, he could be turned over to the United States without due consideration of his legal rights."

* * * * *
For example, in December 2001, with the "war on terror" under way, the Swedish government abruptly revoked the political refugee status of two Egyptians, Ahmed Agiza and Mohammed al-Zari. They were handed to a CIA kidnap squad at Stockholm airport and "rendered" to Egypt, where they were tortured. When the Swedish Ombudsman for Justice investigated and found that their human rights had been "seriously violated," it was too late.

Much more worth reading here.

Finally, here's the unedited version of Colbert's interview of Assange:


From Colbert Nation.

Chad Hopper's "Sky Worms"

Note Paul Slocum as the Fidgeting Chauffeur. I love the use of audio to subvert or re-define visuals (e.g., "herds" of ducks); the juxtapositions of nature vs. our tech-based but already rapidly-obsolescing virtual world, and of historical, "Olde West" clichés vs. modern trademarks; the sense of disorientation created by the welter of completely familiar yet completely odd or incongruous elements; the Zen-ness; the humor; etc.

Satisfaction

(Man, is she pink.) One commenter suggested the artist should have bleeped "bless" instead of "God." Or maybe if he just cut all the words except "America."

Note to Moi: Find Local "Ratso" Equivalent.

Tim Knowles' "Post Box"

"A parcel's journey from London E3 5QZ to Barra HS9 5XW.

"Revealing the unseen world of how mail is delivered to the farthest corners of the UK, Royal Mail gave Tim Knowles unique access to its delivery system. Creating an artwork that captures the experience of a parcel in the post – carried by foot, Royal Mail vans and trucks, a Boeing 737-300 cargo plane, a small Shorts 360 propeller Aircraft and a ferry – this object traveled 20 hours, 22 minutes. A specially constructed parcel recorded its own 902-mile journey through the postal system from London to the Isle of Barra, in a sequence of 20,000 images, a continuous audio recording and a GPS track.

"The artwork consists of a website on which the journey can be followed, and an accompanying book with 155 color photographs selected from the journey. . . .

* * * * *
"Post Box can be experienced at www.e3-hs9.com."

I really enjoyed the slide show here. Knowles is represented by bitforms.

UPDATE: Here's an "after" image of what was shipped.