September 16, 2012

"Expanded Cinema"


Sorry to be so scarce here lately; I've been working on another big project. The 25th Dallas VideoFest opens on Sept. 26 with a screening of new video art works created especially for the LED display on the exterior walls of the Omni Dallas Hotel. I'll have a new piece of my own in the program, and have also been the coordinator/compiler for it, and before that, Ben Britt and I also created a template to enable myself and the other artists to make their works. We expect the audio for the initial screening to be simulcast on public radio KXT 91.7 FM public radio.

The show is called Expanded Cinema, in honor of pioneering new media art theorist Gene Youngblood (whose seminal book by the same title is seen as the first to propound video's potential as a fine art medium, and who will speak at the Dallas Museum of Art as part of the fest on Sat., Sept. 29). (Image left shot by Danielle Georgiou at a test screening.)

The show will include works by 14 artists selected by Bart, Michael A. Morris, and me, including Kari Altmann, Frank Campagna, Tim Capper, Rebecca Carter, Jeff Gibbons, Andrea Goldman, Mona Kasra, Kyle Kondas, Phil Lamb, Shane Mecklenburger, Mike Morris, Edward Setina, Jenny Vogel, and me. Expanded Cinema starts at 8:00 PM; pls watch for announcements re- a viewing location (generally, the best views will be from the south near the Houston St. Viaduct and Jefferson St. Bridge, along the far levy from the hotel).

The remaining 4 days of the 25th Dallas VideoFest will take place at the Dallas Museum of Art. The all-fest pass is a steal at $50; tickets here. In past years there've been some 250 videos to choose from; I think there may be slightly fewer this year, but with perhaps a greater proportion of the kinds you might find in an art gallery, for what that's worth, since I, Mike Morris, and Dee Mitchell helped curate in addition to the festival Director, Bart Weiss.

PS: I wrote an article for art+seek in honor of the 25th VideoFest, here, discussing some of my favorite videos shown at VideoFests past and how they relate to some of my favorites in the present, including works by Cindy Sherman, Sadie Benning, Martha Rosler, Mary Reid Kelley, and many more.

UPDATE: You can now see the piece I made for the program, Braille, here. More info about Expanded Cinema and the works in it here.

I Love the Aesthetics of this Video

If you've never seen "Naked tourist in Japanese moat," just go (sadly, embedding is not an option).

August 29, 2012

Mars

Thanks, NASA! (More at the link.)

August 27, 2012

Dallas VideoFest 25th Anniversary Party!

I'm throwing a party tonite F-U-N it's called "Experiments in [Video]," bring everything that you own! (paraphrasing one of my fave videos brought to you by the Video Association of Dallas). And it's coming right up, on Sept. 14! But I'm not throwing it, AMS Pictures is; and you don't need to bring everything you own, just $25.

The event will feature a micro-fest of old VideoFest faves, a silent auction, and of course, a preview of what's to come at the 25th Dallas VideoFest! A panel of guests will also discuss their favorite VideoFest moments; the guests include:

Ed Bark, TV critic and blogger
Manny Mendoza, former DMN TV critic and filmmaker
Mark Birnbaum, filmmaker
moi, video artist
Katie Gimenez, Director of Networking at Plano Chamber of Commerce (and former DVF Festival Coordinator)
Come get prep'd for the fest, help re-create the world as a more interesting, fun place (another quote from Treetin: [s]how me something beautiful and I will go on) by contributing to a great organization, and party! – more info here, and tickets here!

August 24, 2012

Back to the Future of Video Art

The history of video art includes lots of wonderful work, much of which is rarely seen; but you'll have a few chances to catch up soon.

First, the Power Station will host four nights of video art from the past thru the present:

Aug. 30, video art from the 70's, selected by Mike Morris;
Sept. 6, from the 80's, selected by Ben Lima;
Sept. 13, from the 90's, selected by Jenny Vogel;
Sept. 20, from the 00's, selected by Nadav Assor.
All shows start at 7:30PM; the Power Station is located at 3816 Commerce, Dallas.

Meanwhile, on Sept. 14 at 7PM, AMS Pictures will host a 25th anniversary bash for the Dallas VideoFest featuring 3 rooms with screenings of favorites from past festivals, a panel briefly discussing their faves, and a program previewing Director Bart Weiss's picks from this year's festival. Tickets to this fundraiser are only $25 per person or $40 per couple.

And that brings us to the Dallas VideoFest itself, which is making new history by opening on Sept. 26 with a program of video art works created especially for and displayed on the four curved walls of the Omni Hotel, Dallas.

The remaining 4 days of the festival, most of which is dedicated to contemporary works, will take place at the Dallas Museum of Art. The all-fest pass is a steal at $50; tickets here. More details about the VideoFest to come.

August 19, 2012

New DB12

The new volume, curated by Stephen Lapthisophon, is up here.

Route Opened for Donations to Wikileaks

Per WL Central,

After almost two years of fighting an unlawful banking blockade by U.S financial giants VISA and MasterCard, WikiLeaks has announced it is back open for donations.

After WikiLeaks' publications revealing U.S. war crimes and statecraft in 2010, U.S. financial institutions erected a banking blockade against WikiLeaks wholly outside of any judicial or administrative process. The blockade came during a time of substantial economic growth for WikiLeaks but blocked over 95% of donations, costing the organization in excess of USD 20M.

The Wau Holland Transparency Reports for WikiLeaks' finances, released today, illustrate the financial consequences of 18 consecutive months of economic censorship. For the year 2011, the blockade resulted in WikiLeaks' income falling to just 21% of its operating costs.

WikiLeaks has been forced to run on its cash reserves at the Wau Holland Foundation, which have diminished from EUR 800K at the end of December 2010, to less than EUR 100K at the end of June 2012. As the graph shows, WikiLeaks' reserve funds will expire at the current austere rate of expenditure within a few months. In order to effectively continue its mission, WikiLeaks must raise a minimum of EUR 1M immediately.
More at the link above. You can donate here – that's direct from WL Central and should be reliable; I just donated.

And Now for Some Nomi: