As usual, short of hoofing it to multiple venues in NY and LA, this will probably be your best if not only chance to see these exciting new works. Here are the details:
THURS. 7/22, 7:30PM, Dallas Museum of Art, Horchow AuditoriumI've been really excited to see all the Second Program events; but this week I got asked to review Lady GaGa's concert tomorrow night, so unfortunately, I'll have to miss the first screening. (Not that I'm trying to be a music reviewer; but I can't resist this chance to see GaGa live and maybe meet her.)
Brent Green's feature film premieres, Gravity Was Everywhere Back Then (some of you may recall Green's Hadecol Christmas, shown at the 2007 Dallas Video Festival). "The film, which belongs firmly to the American Eccentric School, tells the true story of Leonard Wood, a hardware store clerk in Kentucky who built a crazy-quilt house in the 1970s as a healing machine for his wife, Mary, hoping to save her from cancer. . . . [Green] shot Gravity in stop-motion animation – much of it in his backyard, where he rebuilt Leonard’s house – giving [the film] a dreamlike quality that carries over to the narrative." Q&A with the artist via iChat after the screening; one night only.
SAT., 7/31, 6 - 8:30PM, Conduit Gallery
An exhibition of installations curated by Charles Dee Mitchell opens, featuring work by David Askevold, Jon Gitelson, Matthew Day Jackson, Luke Murphy, Jason Rhoades, Erin Shirreff, and Bill Viola. This exhibition runs through August 28.
SAT., 8/4, 7:30PM, Angelika Dallas
Dallas premiere of Rape of the Sabine Women by Eve Sussman & the Rufus Corporation. Presented by Creative Time at the 2007 Armory Show; shot with a cast of hundreds in Greece and Germany and scored by Jonathan Bepler (Matthew Barney's collaborator). The piece is "a re-interpretation of the Roman myth, updated and set in the idealistic 1960's." One night only; made possible by a donation from Karen Weiner.
SAT., 8/7, 7 - 8:30PM, Conduit Gallery
A program of shorts curated by Bart Weiss: New York Night Scenes by Jem Cohen, Second Nature by Guy Ben-Ner, Vienna In The Desert by Wago Kreider (of The Yes Men), Below Sea Level by Pawel Wojtasik, Happy Am I by Erin Cosgrove, In G.O.D. We Trust by Kenneth Tin-Kin Hung, Afterimage: A Flicker of Life by Kerry Laitala, and My Voice Would Reach You by Meiro Koizumi. (Some of you may recall other works by Cohen, Ben-Ner, Hung, or Koizumi screened at the first The Program or the Dallas Video Festival.) One night only.
WED., 8/18, 7:30PM, Angelika Dallas
Double Take by Johan Grimonprez. Described by the NYT as "the most intellectually agile of this year's films"; it also made John Waters' Top Ten list in Artforum. One night only; made possible by support from Half Price Books, Records, and Magazines.
But I hope to see you at all the other Second Program events!
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