Day after I got back from NYC, I & the sig. other drove to NM. My main objective was Site Santa Fe's biennial, The Dissolve, which is all video.
As I understood from one of the many guides at the facility (ca. 2.3 per visitor), curators Sarah Lewis and Daniel Belasco worked with architect David Adjaye to design an exhibition divided into three sections, with dark, gray-blue, -green, and -red walls and scrims respectively (think RGB). The sections were meant to organize the works roughly according to stages in the exploration and historical development of video as a fine art technology (although each section includes videos of various vintages). While I'm not sure I totally got the curators' thinking on that point, I thought the dissolve theme was well-chosen; and the installation was exceptional, given the challenges of showing video in a space not at all designed for it.
I was also told the curators deliberately included only work by artists whose primary media were NOT video. This seemed a little unfair to the early adopters of video as their main medium but perhaps emphasizes to any remaining doubters that even your favorite painters, sculptors, et al. have turned to it.
I'd seen some of the works before; nonetheless, it was "a banquet to me." Some favorites:
- Paul Chan, 4th Light, 2006 (well worth seeing again)
- Brent Green, Paulina Hollers, 2006 (other works by Green were shown by the Video Association of Dallas in 2007 and 2010)
- William Kentridge, History of the Main Complaint, 1996 (shown by the Video Association ca. 1997)
- Avish Khebrehzadeh, Theater III, 2010
- Laleh Khorramian, Water Panics in the Sea, 2010
- Jennifer and Kevin McCoy, Traffic #1: Our Second Date, 2004 (this looked really interesting but referred to Goddard's Week-End, which I haven't seen)
- Joshua Mosley, A Vue, 2004 (seen at the Modern of Fort Worth in 2008)
- Oscar Muñoz, Re/trato, 2003
- Robert Pruitt, Black Stuntman (Volumes 1 and 2), 2004
- Christine Rebet, The Black Cabinet, 2007
- Mary Reid Kelley, You Make Me Iliad, 2010 (my favorite new work)
- Lotte Reiniger, The Adventures of Prince Achmed, 1926
- Hiraki Sawa, Airliner, 2003 (I've seen another, related work I liked even better, but this cool piece worked perfectly as the opener for the exhibition)
- Cindy Sherman, Doll Clothes, 1975 (reprised from the Dallas Video Association archives in the 2007 series, I Heart Video Art)
- Federico Solmi, Douche Bag City, 2010
- Dziga Vertov, Soviet Toys, 1924
- Kara Walker, National Archives Microfilm publications M999, Roll 34: Bureau of Refugees, Freedmen and Abandoned Lands: 1) Six Miles from Springfield on the Franklin Road, 2009, 2) Lucy of Pulaski, 2009
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