UPDATE: New, much more detailed post here; although as of this addition, I haven't yet had a chance to add images to the new post.
As you may know, the Video Association of Dallas was the first in TX to show video art by Michel Auder, Matthew Barney, Paul Chan, Harun Farocki, Graffiti Research Lab, William Kentridge, Paul McCarthy, Tony Oursler, Pipilotti Rist, Martha Rosler, and Bill Viola, among many others.
The Video Association's Dallas Video Festival is now dividing into two parts. This year for the first time, most of the video- and other media-based art you might normally find in museums or galleries will be presented in a separate, expanded series of exhibitions at Conduit Gallery. The rest of the Fest, including documentaries and other venerable varieties of video, will be presented in October.
The new, video art + other media-based art exhibition series to be shown at Conduit, called THE PROGRAM, starts July 26: 5 shows over 5 weeks, with openings on 5 consecutive Sat. nites, after-parties, etc. etc. Co-curated by me, Charles Dee Mitchell, and Bart Weiss.
Where else can you find this much exciting, recent video art and other media-based art by internationally-recognized artists -- esp. on our near-null budget? (I certainly hope never to work this hard again for negative income.)
This is not a complete listing, and all programming remains subject to change:
Guy Ben-Ner's Moby Dick and his latest, Stealing Beauty (see Postmasters gallery).
John Bock's latest, The Palms (see Anton Kern gallery).
Dena DeCola + Karin E. Wandner's five more minutes (see the Video Data Bank).
Matthew Barney's latest, Drawing Restraint 13 (see Barney's DR site or Gladstone Gallery).
Michael Bell-Smith, t.b.d. (see Foxy Production or and/or gallery).
eteam: with luck, something re- their Rhizome commission proposal, Second Life Dumpster (see their commission proposal site). I personally also loved 1.1 Acre Flat Screen, 'though it's not looking like we'll be able to show it, but you can view it on their website; just click on "videos" and scroll on what opens.
Nathalie Djurberg: her Camels Drink Water, which debut'd at Art Basel Miami just last year, and, I hope, one or more other works (see Zach Feuer Gallery). I'm pretty sure, 200 yrs. from now, if you search for what might help you both survive and forgive humanity, Djurberg's work will pop.
John Michael Boling + Javier Morales (see their site at http://www.gooooooooooooooooooooooooooooooooooooooooooooooooooooogle.com).
Kenneth Tin-Kin Hung's animations featuring Al Gore as a polar bear, his Nobel around his neck, deploying solar panels against a BBQ'ing Bush (see Postmasters and Hung's site).
Cao Fei: knock on wood, her Second Life "documentary," iMirror (see Lombard-Freid Projects), which showed at the Venice Biennale, this year, and her newest piece, RMB City.
Guthrie Lonergan: net art from a favorite New Museum alum (see his site).
Shana Moulton's work takes you back to everything you thought you hated about the 80's but now "pine" for (see Country Club gallery).
Tom Moody: appealing and intriguing shorts from a former Dallasite who's shown around the world (see his site).
Meiro Koizumi's latest, The Human Opera. If I say he's the new M. Barney, that's just shorthand for, i.m.h.o., you need to see his work -- it's going to come up again (see Nicole Klagsbrun gallery).
Matt Marello: Marello greenscreens himself into the horror flick that made Charles Dee Mitchell want to be an art writer; plus, Friedrich Nietsche converses with Hogan's Heroes.
Yang Fudong's An Estranged Paradise. This wonderful early piece illumines the work he's made since (see Marian Goodman Gallery).
Yves Netzhammer: evocative 3-D animation from one of my faves from the '07 Venice Biennial (see Galerie Anita Beckers).
Jon Pylypchuk's animations with hotdogs -- not even bacon is better (see Friedrich Petzel Gallery).
Steve Reinke's Hobbit Love is the Greatest Love. Yes, he actually makes it work (see Video Data Bank).
Treewave (Paul Slocum's band) performs live (see his Tree Wave page, Dunn and Brown Contemporary, or and/or gallery).
Ryan Trecartin: A Family Finds Entertainment and Tommy Chat Just E-mailed Me. He may seem hallucino-gen-Y'd, he may even be really fun; he's also profound (see Elizabeth Dee).
Kalup Linzy's Melody Set Me Free and Ride to da Club, both totally smart + fun (see Taxter & Spengemann gallery).
Rick Silva, a.k.a. Abe Linkoln, + jimpunk + Mr. Tamale: a compilation from Triptych TV (also check outAbe + Mo Sing the Blogs: e.g., one blogger's daily psychotropic dosage, à la metal -- and more {here's Rick's site; I also love jimpunk's}).
Clemens Von Wedermeyer: compelling work from one of Europe's stars (see Galerie Jocelyn Wolff).
The main venue for THE PROGRAM will be Conduit Gallery in the Design District, where lots of great galleries are now located (go here for lists by neighborhood with url's, addresses, etc.); and our opening nite, Sat., July 26, will also be "gallery walk" nite in the Design District. The gallery walk hours will be 5-8 pm. We expect to open THE PROGRAM with Matthew Barney's new video, although that's not set in stone, and with Paul Slocum's performance starting around the time the gallery walk winds up (plan to end up back at Conduit).
Then, for our after-party that nite . . . remember Apples in Stereo, whose lead appeared on The Colbert Report with his paean to Stephen? And the inestimable Danette Dufilho, Asst. Dir. at Conduit and Dir. of the Project Room there? Well, her hubby, John Dufilho (of Deathray Davies fame), plays drums in the Apples, and the Apples are playing Big D that very nite, at one of our fave venues, Sons of Hermann Hall, starting after Paul's performance. And strictly betw. us, the Apples might show up at Conduit for Paul's show; and we might be handing out coupons for a discount to get into the show at Sons . . .
And, believe it or not, there's more spectacular stuff in the works! As well as a panel discussion at the Dallas Museum of Art on Sun., August 10 at 1:30 pm and evening screenings in Fort Worth on August 5 and 12. I'll post more details about the schedule as they're firmed up.
I've been working really hard on this, so pls cancel any and all conflicting oblgs, ink us in for the 5 consecutive Sat. nites starting July 26 plus, + tell your friends. (And by the way, if you can't make the opening nites, the shows will remain on exhibit or available for viewing until it's time to install the next week's work.)
Thanks of course to the artists, galleries, and others already mentioned above. I'd like also to go ahead and thank Suzanne Weaver at the DMA for her advice to me over the years, which greatly helped me educate myself, as well as for her support in arranging for our panel discussion to take place at the DMA; the folks at Electronic Art Intermix (esp. Josh Kline), whose advice and screening room have also been invaluable to me; Paul Slocum, who has also generously shared his advice, esp. regarding new media artists; Danette Dufilho and Nancy Whitenack at Conduit, not only for providing us a great space for free but also for their advice, time, and effort in many areas, all of which have been and will continue to be essential to bringing this thing off; volunteers such as LeeAnn Harrington and Emily Ewbank; my co-curators, Bart Weiss and Charles Dee Mitchell, from whom I've also learned so much; and last but not least, our presenting organization, the Video Association of Dallas, which has for over twenty years been one of the foremost proponents of video as a creative medium (please join and support it!).
Until I do a new post based on more definite info, check back here 'cause it's easier for me to just update this post.
Sat., Jan 10th, here. Per the press release,
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