Movie-Based Gifs

Lots more at iwdrm.

"Collateral Sounds"

“Collateral Sounds is a response to the Wikileaks phenomenon. . . . Nivehive is here to provide the soundtrack.”

The album includes "People Demand," which features audio of the Egyptians in Tahrir calling for revolution. Hear the tune and find more info here; download the tune here (thanks, NiveHive!)

Here's hoping the concept's as catchy as the tune. (Image right, artist unknown.)

Matt Taibbi: Goldman Sachs Should Stand Trial

"They weren't murderers or anything; they had merely stolen more money than most people can rationally conceive of, from their own customers, in a few blinks of an eye. But then they went one step further. They came to Washington, took an oath before Congress, and lied about it.

Thanks to an extraordinary investigative effort by a Senate subcommittee that unilaterally decided to take up the burden the criminal justice system has repeatedly refused to shoulder, we now know exactly what Goldman Sachs executives like Lloyd Blankfein and Daniel Sparks lied about. We know exactly how they and other top Goldman executives, including David Viniar and Thomas Montag, defrauded their clients. America has been waiting for a case to bring against Wall Street.

Here it is, and the evidence has been gift-wrapped and left at the doorstep of federal prosecutors, evidence that doesn't leave much doubt: Goldman Sachs should stand trial.The great and powerful Oz of Wall Street was not the only target of Wall Street and the Financial Crisis: Anatomy of a Financial Collapse, the 650-page report just released by the Senate Subcommittee on Investigations, chaired by Democrat Carl Levin of Michigan, alongside Republican Tom Coburn of Oklahoma. Their unusually scathing bipartisan report also includes case studies of Washington Mutual and Deutsche Bank, providing a panoramic portrait of a bubble era that produced the most destructive crime spree in our history — "a million fraud cases a year" is how one former regulator puts it.

But the mountain of evidence collected against Goldman by Levin's small, 15-desk office of investigators — details of gross, baldfaced fraud delivered up in such quantities as to almost serve as a kind of sarcastic challenge to the curiously impassive Justice Department — stands as the most important symbol of Wall Street's aristocratic impunity and prosecutorial immunity produced since the crash of 2008 . . . . "

More at Rolling Stone. This article appears in the May 26, 2011 issue of Rolling Stone. The issue is available now on newsstands and will appear in the online archive on May 13.

The "Nobody Heard What You Said" Story

By Jay Rosen at PRESSthink:

In 1984, Stahl had produced an extended report for CBS trying to document the contradictions between what Reagan said and what he did. It showed him speaking at the Special Olympics and at a nursing home, and reported that Reagan had cut funding to children with disabilities and opposed funding for public health. I’ll let [Bob] Somerby tell the rest:

Dick Darman clued in Lesley Stahl—it’s all about the pictures. During the 1984 presidential campaign, Stahl aired a lengthy report on the CBS Evening News; it was broadly critical of President Reagan. In her recent book, Reporting Live, Stahl described her thoughts as the piece went to air:

STAHL (page 210): I knew the piece would have an impact, if only because it was so long: five minutes and 40 seconds, practically a documentary in Evening News terms. I worried that my sources at the White House would be angry enough to freeze me out.

But that isn’t what happened, she says. When the piece aired, Darman called from the White House. “Way to go, kiddo,” he said to Stahl. “What a great piece. We loved it.” Stahl replied, “Didn’t you hear what I said [in the broadcast]?” Darman’s answer has been frequently quoted:

STAHL: [Darman replied,] “Nobody heard what you said.”

Did I hear him right? “Come again?”

“You guys in Televisionland haven’t figured it out, have you? When the pictures are powerful and emotional, they override if not completely drown out the sound. I mean it, Lesley. Nobody heard you.”

Stahl’s critical report about President Reagan had been accompanied by generally upbeat visuals. According to Darman’s theory, the pictures registered more with viewers than anything Stahl had said.

(Much more at the link.)

A Couple of Shows I Esp. Liked

. . . (both in Dallas):

1. The Gun and Knife Show, curated by Heyd Fontenot and Julie Webb, at CentralTrak, 800 Exposition Ave. Related panel discussion May 21, 4 - 6 pm, at Cunningham Architects, 918 Dragon St.

2. Play Dead, curated by Willie Binnie & Tamara Coleman, at Bows and Arrows, 1927 Greenville Ave.

"Broadcast" Your Brain Waves

"The 'necomimi' . . . hair band . . . features sensors that pick up on brain signals and convert them into visible actions . . . by wiggling the cat ears. . . . [W]hen you concentrate, the ears point upwards . . . when you relax the ears flop down and forwards." More at Wired and Japan Trends; via Gizmodo. (Thanks Ben!)

Recent Assange on Facebook et Al., the Media, War, Etc.

Facebook in particular is the most appalling spying machine that has ever been invented. Here we have the world’s most comprehensive database about people, their relationships, their names, their addresses, their locations and their communications with each other, their relatives, all sitting within the United States, all accessible to US intelligence. Facebook, Google, Yahoo – all these major US organizations have built-in interfaces for US intelligence. It’s not a matter of serving a subpoena. They have an interface that they have developed for US intelligence to use.

Now, is it the case that Facebook is actually run by US intelligence? No, it’s not like that. It’s simply that US intelligence is able to bring to bear legal and political pressure on them. And it’s costly for them to hand out records one by one, so they have automated the process. Everyone should understand that when they add their friends to Facebook, they are doing free work for United States intelligence agencies in building this database for them.

* * * * *

Our No. 1 enemy is ignorance. And I believe that is the No. 1 enemy for everyone – it’s not understanding what actually is going on in the world. It's only when you start to understand that you can make effective decisions and effective plans. Now, the question is, who is promoting ignorance? Well, those organizations that try to keep things secret, and those organizations which distort true information to make it false or misrepresentative. In this latter category, it is bad media.

It really is my opinion that media in general are so bad that we have to question whether the world wouldn't be better off without them altogether. They are so distortive to how the world actually is that the result is . . . we see wars, and we see corrupt governments continue on.

One of the hopeful things that I’ve discovered is that nearly every war that has started in the past 50 years has been a result of media lies. The media could've stopped it if they had searched deep enough; if they hadn't reprinted government propaganda they could've stopped it. But what does that mean? Well, that means that basically populations don't like wars, and populations have to be fooled into wars. Populations don't willingly, with open eyes, go into a war. So if we have a good media environment, then we also have a peaceful environment.

(Emphasis supplied.) More at RT.

"QTzrk_loop" by Jon Satrom (Holy F***.)

(Pls pretend this is on a white background.)



From jonsatrom.

"This video loop was for the Filtering Failure gallery show at: PLANETART in Amsterdam.

"Filtering Failure investigates (the connections between) the procedural terms ‘filtering’ and ‘failure’ and how in (lo-fi) digital arts these terms are being re-invented and re-used. The exhibition asks how Filtering and Failure co-exist; and how these processes influence each other.

"The exhibition includes new and older works from the avant-garde of glitch artists. These works show the filtering of failure as a generative process, but also to unfold a genre that includes many the different envelopes of personal ways of dealing with failure."