April 8, 2012

Occupiers & Others Preparing for General Strike May 1; Noam Chomsky Endorses 99% Spring

Back in the 70's, experts believed that the improvements possible through technology would increase worker productivity to the point that the 40-hour work week would inevitably shrink to 35 or less, and that we'd all have more leisure while enjoying the same or a better standard of living.

Part of that prediction came true: worker productivity in the U.S has exploded since then. Yet instead of having more leisure and greater wealth, our inflation-adjusted incomes have actually dropped, even while our work week has increased to 50 hours and more, and even though, in most families now, both parents work.

What happened? If you read this blog, you already have an idea (e.g., see here or here).

May 1, a holiday in many countries, is the annual commemoration of the 1886 Haymarket Massacre in Chicago, when Chicago police fired on workers during a General Strike for the eight-hour workday. Now, OWS, Occupy Los Angeles, Occupy Chicago, Occupy Oakland, other General Assemblies, Labor organizers, immigrants’ rights groups, artists, faith leaders, and others are preparing for a General Strike on May 1, calling for all of us to take the day away from school and the workplace, to show that we will not continue to accept corporate and governmental systems that exploit the many in order to enrich the few.

More info on the May 1 General Strike here and here.

"99% Spring" is a congruent but separate effort – see my previous post here; more here, here, and here – which has now been endorsed by Noam Chomsky:


Independent Fair

Fair website here; NYT review here; my photos here. There was lots of great work; but if I had to pick one work that's really stuck with me, it was the 16mm film by Daria Martin, Closeup Gallery (2003), from Maureen Paley gallery, London. I was also happy to get to see another video by Laleh Khorramian, whose work I'd admired in the 2010 Site Santa Fe biennial. Additional posts on the NYC Armory week shows here.

 

April 6, 2012

More Cool Gifs

. . . at Flux Machine. (Thanks, Ben!)

April 5, 2012

"Crapestry"

– that's the name of the site; modification of a commercial pattern. More here (thanks, Julie!)

April 2, 2012

Drawdio



Thanks, Ben!

Dependent Fair

So you heard about the Independent Fair; but there was also the Dependent Fair, occupying 6 floors of a Comfort Inn on the Lower East Side. The offerings varied widely; OWS even got a room.

The rooms were small and plagued by darkness, glare, and color reflected from yellow walls; nonetheless, many galleries managed to mount interesting mini-exhibitions. I esp. liked the shows installed by Audio Visual Arts, Foxy Production, and Silvershed.

The first image (right) shows part of the "Ministry of Lamination" installation from AVA; the second, a frame of a video by Michael Bell-Smith, from Foxy; the third, offerings from Silvershed. Good articles with photos at Art Fag City and eyes-towards-the-dove; more of my photos here.

More posts on the 2012 Armory week art fairs here.

March 31, 2012

Worst Album Covers of All Time

. . . or greatest? It was really hard to pick one to show you; you've got to go to the site.

March 30, 2012

Spring/Break Art Show (NYC Armory Week)

Spring/Break Art Show was a new, curator-driven "this can be a fair," located in Old School, NoLIta and featuring projects by 23 curators; and it may have been my favorite of the shows I saw during Armory week. Among the curators were the fair's founders Andrew Gori and Ambre Kelly, Natalie Kovacs, Patrick Meagher, Eve Sussman, and Chen Tamir. The theme was "Apocalist: A Brief History of The End." The show also has a Facebook page with some photos here; Artinfo has an article with some good photos; Vernissage TV has a 6.5-min. video tour here; and my photos, such as they are, are here.

As usual, I'd have liked to have had more time here – everything I saw seemed to warrant it – but the evening ran out before I made it through the whole thing. Out of the works I saw, some faves were:

1. An installation featuring work by Eve Sussman – the labelling was a bit confusing to me, so I'll quote it: "Eve Sussman, Waiting for an Icon, 2012. Crazy Daisy, 2012, 3 channel site-specific video round with Patricia Thornley, Jeesu Kim, Leslie Thornton, Bat Or Kalo. Eve Sussman's site-specific work at Old School is inspired by a stained glass artwork she has brought back to life, animating it with the projections of several singers attempting the title song from the film Pull My Daisy. The musical rendition of the Neal Cassidy [sic], Allen Ginsberg, and Jack Kerouac poem was featured in Robert Frank and Alfred Leslie's 1959 film." You can view the 26-min., classic Pull My Daisy at Ubuweb; the title song lyrics actually modify those of the poem; both are weird and suggestive; and the melody is wonderfully discombobulating and, I'd say, hard to sing. Sussman's projection onto stained glass was flanked on each side by projections of video'd windows through which you sometimes spied a young woman, apparently washing dishes or the like – the "glass" was frosted, except for a circle framing the young woman's head (see here for the layout).

2. Sp33dGuided Art Tour by Dora Budor + Maja Cule was a charming, thoughtfully goofy, iPhone-narrated tour with guide and guidee cuddled awkwardly on one Segway, purportedly touring the art in the show but in fact limited to the courtyard and an attempted trip around the block, although in my case we turned back after a close call involving a tree root and a fence. The artists explained they'd always wanted to try a Segway; me, too! The tour launched from a room featuring twin projections of Earth, positioned like views through a pair of binocs, except the planet spun differently in the two views; but I think this was a separate work.

3. In Sea of Fire by Fall on Your Sword (2012), an antique piano had been hooked up to video equipment in such a way that, in its default mode, the video showed one of those fake statue guys dressed up like the Statue of Liberty; but when you pressed one of the organ keys, this was interrupted by a clip from a disaster movie, with each key seemingly triggering the destruction of the Statue by a different, apocalyptic means – bombing, a tidal wave, alien invasion, etc. It was, simply, awesome. Trailer here; but it's nothing like being able to trigger a Liberty-annihilating tsunami with a key stroke.
I also saw a piece in which purported art objects were incorporated into an improvisational, audience-participatory art performance, which was a lots of fun; apologies that I can't say who deserves credit, except I think it may have been hosted by ArtLog? (I've requested more info and will update this if I get it.)

(Posts on other 2012 Armory week art shows here; three more to come.)