If you've never seen "Naked tourist in Japanese moat," just go (sadly, embedding is not an option).
September 16, 2012
I Love the Aesthetics of this Video
August 29, 2012
August 27, 2012
Dallas VideoFest 25th Anniversary Party!
I'm throwing a party tonite F-U-N it's called "Experiments in [Video]," bring everything that you own! (paraphrasing one of my fave videos brought to you by the Video Association of Dallas). And it's coming right up, on Sept. 14! But I'm not throwing it, AMS Pictures is; and you don't need to bring everything you own, just $25.
The event will feature a micro-fest of old VideoFest faves, a silent auction, and of course, a preview of what's to come at the 25th Dallas VideoFest! A panel of guests will also discuss their favorite VideoFest moments; the guests include:
Ed Bark, TV critic and bloggerCome get prep'd for the fest, help re-create the world as a more interesting, fun place (another quote from Treetin: [s]how me something beautiful and I will go on) by contributing to a great organization, and party! – more info here, and tickets here!
Manny Mendoza, former DMN TV critic and filmmaker
Mark Birnbaum, filmmaker
moi, video artist
Katie Gimenez, Director of Networking at Plano Chamber of Commerce (and former DVF Festival Coordinator)
August 24, 2012
Back to the Future of Video Art
The history of video art includes lots of wonderful work, much of which is rarely seen; but you'll have a few chances to catch up soon.
First, the Power Station will host four nights of video art from the past thru the present:
Aug. 30, video art from the 70's, selected by Mike Morris;All shows start at 7:30PM; the Power Station is located at 3816 Commerce, Dallas.
Sept. 6, from the 80's, selected by Ben Lima;
Sept. 13, from the 90's, selected by Jenny Vogel;
Sept. 20, from the 00's, selected by Nadav Assor.

And that brings us to the Dallas VideoFest itself, which is making new history by opening on Sept. 26 with a program of video art works created especially for and displayed on the four curved walls of the Omni Hotel, Dallas.
The remaining 4 days of the festival, most of which is dedicated to contemporary works, will take place at the Dallas Museum of Art. The all-fest pass is a steal at $50; tickets here. More details about the VideoFest to come.
August 19, 2012
New DB12
The new volume, curated by Stephen Lapthisophon, is up here.
Route Opened for Donations to Wikileaks
Per WL Central,
After almost two years of fighting an unlawful banking blockade by U.S financial giants VISA and MasterCard, WikiLeaks has announced it is back open for donations.More at the link above. You can donate here – that's direct from WL Central and should be reliable; I just donated.
After WikiLeaks' publications revealing U.S. war crimes and statecraft in 2010, U.S. financial institutions erected a banking blockade against WikiLeaks wholly outside of any judicial or administrative process. The blockade came during a time of substantial economic growth for WikiLeaks but blocked over 95% of donations, costing the organization in excess of USD 20M.
The Wau Holland Transparency Reports for WikiLeaks' finances, released today, illustrate the financial consequences of 18 consecutive months of economic censorship. For the year 2011, the blockade resulted in WikiLeaks' income falling to just 21% of its operating costs.
WikiLeaks has been forced to run on its cash reserves at the Wau Holland Foundation, which have diminished from EUR 800K at the end of December 2010, to less than EUR 100K at the end of June 2012. As the graph shows, WikiLeaks' reserve funds will expire at the current austere rate of expenditure within a few months. In order to effectively continue its mission, WikiLeaks must raise a minimum of EUR 1M immediately.
August 18, 2012
Dallas VideoFest 25
. . . makes a big entrance with a program of new video art created especially for the nearly 200-foot high display system on the exterior walls of the Omni Hotel, Dallas, at 8:30PM on Wednesday, Sept. 26 . The program is entitled, Expanded Cinema, borrowed from the 1970 book of the same title by seminal new media theorist Gene Youngblood (see also this previous post), who will give a lecture at the festival, Secession from the Broadcast: The Internet and the Crisis of Social Control, at 3PM on Sunday at the DMA, Horchow Auditorium.The image right is from OMNEY, one of the videos to be included in Expanded Cinema, by Shane Mecklenburger, who provided the transcription of Youngblood's talk at the latter link. The Omni display completely wraps the building; hence the weird aspect ratio. (Full disclosure: I'm helping to organize the program and will have a piece in it.)
Because of the unique characteristics of the Omni "screen," most of the artists had to re-invent their approach to an extent perhaps greater than usual, in order to create works that might exploit the potential of this new platform while adapting to its requirements and continuing to explore the concerns with which they prefer to engage in their aesthetic practices. They have risen to the challenge, and the resulting works are gorgeous and fascinating.
The rest of the VideoFest will be at the Dallas Museum of Art, Sept. 26 - 30; block out your calendar! It's shaping up to be one of the best fests yet. As the dates approach, I hope to post more details here, including a chronological schedule with program descriptions all in one page.
But go ahead and buy tickets for the fest (I recommend full immersion), find more info, or (please!) donate at videofest.org. You can also donate via Kickstarter here.
Here's an auditory blast from the past, ca. early Gene Youngblood . . .