I esp. LOVED Eija-Liisa Ahtila's Talo (The House), 3-channel video installation, 14 min. loop (2002), and Yinka Shonibare's Un Ballo in Maschera (A Masked Ball), video, 32 min. (2004).
More on Talo at The Art Institute of Chicago.
Shonibare discusses Un Ballo and his next film, a production of Swan Lake created in collaboration with the Royal Opera House, in an interview at Bombsite.
Showing posts with label Yinka Shonibare. Show all posts
Showing posts with label Yinka Shonibare. Show all posts
December 17, 2009
If you live in N. TX, Don't Miss "Performance/Art" at the DMA,
Labels:
aesthetic lust,
art,
bare,
new media,
video,
video art,
Yinka Shonibare
October 5, 2009
Exhibition, "Performance/Art": Shonibare, Ahtila et Al. at the DMA
Opening on Oct. 8, and including
British-Nigerian artist Yinka Shonibare’s film Un ballo in Maschera (A Masked Ball), based on Giuseppe Verdi’s opera of the same name . . . ; Finnish artist Eija-Liisa Ahtila’s quietly intense and atmospheric evocation of an ill-at-ease mind, the three-screen film work Talo/The House; a new installation work by Dallas-based artists Frances Bagley and Tom Orr based on the spectacular sets and costumes they designed for a 2006 Dallas Opera production of Verdi’s Nabucco; . . . a selection of Argentine artist Guillermo Kuitca’s powerful paintings and drawings based on album covers and seating charts of major theaters and opera houses; and David Altmejd’s spectacular sculpture, The Eye, . . . created in conjunction with a recent Metropolitan Opera production of John Adams’ Doctor Atomic.Through Mar. 21, 2010. More at the DMA; or for more on Shonibare, see my previous post.
July 23, 2009
Exhibitions: Yinko Shonibare MBE
The Newark Museum is showing a new, commissioned piece by Shonibare (through Jan. 3, 2010; sorry, that's the best image I could get).
And the Brooklyn Museum's showing a mid-career survey (through Sept. 20), including these gals (click on the image for a larger version), who must be related to these guys I shot at the 2007 Venice Biennial.
Headlessness seems so right lately.
Finally, Shonibare's work will also be included in the Dallas Museum of Art's exhibition, Performance/Art, Oct. 8 - Mar. 21.
Labels:
art,
historiographic art,
sculpture,
Yinka Shonibare
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