September 9, 2009

Why We REALLY Need the Public Option

As you know, the rationale is that the public option would give private insurers competition.

Opponents of the public option say, we can achieve our goals by passing laws prohibiting private insurers from cherry-picking insureds, excluding pre-existing conditions, etc.

(Of course, if we don't include a public option, we'll also have to regulate premiums. Otherwise, private insurers will have no incentive to keep costs down – including excessive executive pay and costs due to inefficiency or fraud – and they'll just pass those costs on to us and our employers. But of course, opponents' real plan is to try defeat any meaningful regulation – i.e., to avoid any meaningful restrictions on premiums, any requirement of universal coverage unless fully subsidized by taxpayers, etc.)

What I have yet to hear mentioned is that, if we just pass a lot of new prohibitions and requirements for the insurance industry without creating a public option, we'll also need to create a substantial new regulatory apparatus to make sure the insurers comply with the new rules. And we'll all have to stay on our toes to make sure that Congress continues to fund that agency at adequate levels.

The SEC was once known as one of the most effective regulatory agencies in government. Then it was defunded to the point that it simply lacked the manpower and resources to properly perform its responsibilities. Voilà Madoff and many other disasters.

Having a public option means we won't need a new regulatory apparatus to keep watch over private insurers' every move. Instead, insurers will be inherently incentivized to create and sell insurance products that match or better the public option.

We've been told for decades that private companies are more efficient than government. I'm sure that if the real costs of a public option turn out to exceed those for private insurance, the private insurers will let us all know about it.

(And I'm sure that if the healthcare provided by the public option turns out to be as terrible as they say, private insurers won't have any trouble selling us their whole or supplemental policies.)

September 7, 2009

Who Moved My Cheese?

Per Bloomberg, the vaults of an Italian bank contain 17,000 tons of parmesan cheese, held as collateral for loans to cheesemakers. "So precious is the cheese that each 80-pound wheel, worth about 300 euros, is branded with a serial number so it can be traced if it is stolen."

But "[t]hieves tunneled into one warehouse in February and made off with 570 pieces . . . . 'Thank heavens we caught the robbers before they grated it,'" said the vault manager.

Or ate the serial numbers. More at the link.

September 6, 2009

New Work from Eteam

What can you learn about a society from what it throws away? These and other questions are explored by eteam's new video, PRIM LIMIT, which follows what happened after the artists opened Second Life Dumpster (more here and here) – what items were dumped there, who hung out there, how the Dumpster fit in with its virtual surroundings, etc. You can see a low-res version of the video here.

Eteam also has another new piece I like a lot, Truth in Transit; you can see that and more of their work here.

(Both images are from PRIM LIMIT; click on them for larger versions.)

September 5, 2009

Feud Between Hirst & Teen Artist Escalates Over Pencils?

Per the UK Telegraph and The Independent, the pencils, from Hirst's Pharmacy installation, are allegedly worth £500,000 and were kidnapped by the teen, Cartrain, as part of an effort to obtain the return of the teen's artworks, collages that included images of Hirst's For the Love of God.

According to The Independent, "Hirst reported [Cartrain] to the Design and Artists Copyright Society and a string of legal letters were sent to [his] art dealer, Tom Cuthbert, at 100artworks.com, about the teenager's pieces, also called For the Love of God. The online gallery surrendered them to Hirst with a verbal apology." [Emphasis supplied.]

As of this writing, however, 100artworks.com is still offering several of the offending collages for sale; in fact, in its description of the piece at left, the dealer provides a link to an earlier article in The Independent concerning Hirst's supposed objections to the work.

UPDATE: The New York Times reports that Cartrain and his father have been arrested.

Airan Kang's Shakespeare

At Bryce Wolkowitz Gallery, along with other desirable items. As Blake wrote, I want!

September 4, 2009

The 22nd Annual Dallas Video Festival

Save the dates! Thurs. - Sun., November 5 - 8. (If you're not familiar with the Fest, see my previous posts here, here, and here.)

(There will be no The Program in 2009, but as usual, the regular Festival will include some video art.)

September 3, 2009

Antidepressants



(Thanks, Ben!)

FundRager for Flux Factory

If you're in NYC, do this! I would if I were there. (Or, consider sending a check.)

9/11, 9 pm - late
RSVP for location at fluxfactory.org
password: LifeRaft
$15

Come play on a boat with the best arts collective in Long Island City. We're taking over a 140-foot, 3-story, now-legendary boat docked deep in industrial Bushwick with two dance floors, a band stage, decorations in collaboration with Rubulad, and tons of fun until sunrise. This is a FundRager for the construction of Flux Factory’s new space, complete with a gallery, artist-in-residency program, and communal production facilities.

DJ's: 2melo, Atom C., Cathy, Cobra Krames, Comrade, Eamon Harkin, Justin Carter, Geko Jones, Shred, Tinseltown, and Tubby Lamborghini

Bands: ALIENS!, Brandstifter Live from the Ironing Board, Les Heures, Manburger Surgical, Miwa Gemini, Nopresha, Panonian Wave, Radio Wonderland, SK Orchestra, Womb Sharks, White Limo, and Zebu

Performers: Cock Tales, The Committee for the Spacio-Coporeality of Encounter, Computer Spoken Intercourse, Dennis Kyros Magician, Gay KK, Lázaro Valiente, Neverforgettable Memories, Pearl Harbor: Our Weapon is Love, The Port-A-Potty Deluxe No Standing Anytime Service Station (PPDNSASS), and SURPRISE!!!

Uncategorizable: A Boat Invasion by La Collette, Campfire Stories, Color Me Crazy with Last Up Larry, Heather via teleconference, It's Only Temporary, The Kissing Kiosk, light installations by Julius Schmiedel, live screenprinting by Gabe + Jolie, Minor Treat Baked Goods, projections and potentially non-vegetarian popcorn by Annie Reichert, projections by Ted Lee, and tarot by Courtney Weber.

With special surprise guests!