Grub, by tEEth, was terrific, and Way Out West, the Sea Whispered Me, by Cupola Bobber, was magical. The Practice Practice Practice show at Lora Reynolds Gallery, curated by Michael Smith and Jay Sanders, includes nearly three hours of video plus lots of other work. A performance by the multi-talented Reggie Watts was hilarious and musically amazing (plus he has the best hair since Sideshow Bob). And I'm still excited about No Dice by Nature Theater of Oklahoma.
During 7 days, I attended 27 productions (some more than once, and some distinctly participatory), averaging close to 5 per day, plus did fair amounts of partying and inter-city driving. But those who created and organized what I saw worked a heck of a lot harder, overcoming many last-minute challenges, full details of which may never be generally known. Many thanks to all of them, especially Artistic Director Ron Berry, for a fabulous festival and for making it possible for me to be there! It was a tremendous learning experience for me on many levels, and I had a fantastic time.
If you participated in Rotozaza's GuruGuru, you'll remember "Dicky."
Money and God just happened to be standing around in my room at testsite, which, by the way, also housed a truly fascinating exhibit by Justin Boyd and Nick Tosches – another fave.
I may write more about No Dice, GuruGuru, and/or Kalup Linzy's Keys to Our Heart (see also my previous posts on Fusebox).
UPDATE: You can find my longer descriptions/discussions of Nature Theater's No Dice here and of Kalup Linzy's Keys here.
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