July 25, 2010

Those Crazy Mormons

. . . or as one commenter put it: "Whoah. Dream big."


July 24, 2010

Gagalicious

Got a gig to review the L. Gaga concert in Dallas. I'll probably also do a post on it/her; but 'til then, here are some vizis. (Sorry for the audio distortion; it was v. loud.)

One of her more interesting statements was along the lines of,

There's something heroic about the way my fans operate their cameras. So precisely, so intricately, and so proudly. Like Kings writing the history of their people. Its their prolific nature that both creates and procures what will later be perceived as the "kingdom." So, the real truth about Lady Gaga fans, my little monsters, lies in this sentiment: They are the kings. They are the queens. They write the history of the kingdom, and I am something of a devoted Jester. It is in the theory of perception that we have established our bond. Or, the lie, I should say, for which we kill. We are nothing without our image. Without our projection. Without the spiritual hologram of who we perceive ourselves to be, or to become rather, in the future.

When you're lonely, I'll be lonely too. And this is The Fame.
(Text from Gagapedia.)

This statement raises lots of interesting issues for the "reality-based community." For now, here's hoping she acts further to preserve our alleged kingship, which is now threatened by opponents of net neutrality, among other things.

July 21, 2010

"The Second Program" Starts Tomorrow!

As usual, short of hoofing it to multiple venues in NY and LA, this will probably be your best if not only chance to see these exciting new works. Here are the details:

THURS. 7/22, 7:30PM, Dallas Museum of Art, Horchow Auditorium
Brent Green's feature film premieres, Gravity Was Everywhere Back Then (some of you may recall Green's Hadecol Christmas, shown at the 2007 Dallas Video Festival). "The film, which belongs firmly to the American Eccentric School, tells the true story of Leonard Wood, a hardware store clerk in Kentucky who built a crazy-quilt house in the 1970s as a healing machine for his wife, Mary, hoping to save her from cancer. . . . [Green] shot Gravity in stop-motion animation – much of it in his backyard, where he rebuilt Leonard’s house – giving [the film] a dreamlike quality that carries over to the narrative." Q&A with the artist via iChat after the screening; one night only.

SAT., 7/31, 6 - 8:30PM, Conduit Gallery
An exhibition of installations curated by Charles Dee Mitchell opens, featuring work by David Askevold, Jon Gitelson, Matthew Day Jackson, Luke Murphy, Jason Rhoades, Erin Shirreff, and Bill Viola. This exhibition runs through August 28.

SAT., 8/4, 7:30PM, Angelika Dallas
Dallas premiere of Rape of the Sabine Women by Eve Sussman & the Rufus Corporation. Presented by Creative Time at the 2007 Armory Show; shot with a cast of hundreds in Greece and Germany and scored by Jonathan Bepler (Matthew Barney's collaborator). The piece is "a re-interpretation of the Roman myth, updated and set in the idealistic 1960's." One night only; made possible by a donation from Karen Weiner.

SAT., 8/7, 7 - 8:30PM, Conduit Gallery
A program of shorts curated by Bart Weiss: New York Night Scenes by Jem Cohen, Second Nature by Guy Ben-Ner, Vienna In The Desert by Wago Kreider (of The Yes Men), Below Sea Level by Pawel Wojtasik, Happy Am I by Erin Cosgrove, In G.O.D. We Trust by Kenneth Tin-Kin Hung, Afterimage: A Flicker of Life by Kerry Laitala, and My Voice Would Reach You by Meiro Koizumi. (Some of you may recall other works by Cohen, Ben-Ner, Hung, or Koizumi screened at the first The Program or the Dallas Video Festival.) One night only.

WED., 8/18, 7:30PM, Angelika Dallas
Double Take by Johan Grimonprez. Described by the NYT as "the most intellectually agile of this year's films"; it also made John Waters' Top Ten list in Artforum. One night only; made possible by support from Half Price Books, Records, and Magazines.
I've been really excited to see all the Second Program events; but this week I got asked to review Lady GaGa's concert tomorrow night, so unfortunately, I'll have to miss the first screening. (Not that I'm trying to be a music reviewer; but I can't resist this chance to see GaGa live and maybe meet her.)

But I hope to see you at all the other Second Program events!

July 16, 2010

A Few Recent Headlines Re- the Economy

. . . that should have appeared prominently in your local corporate media, but mostly didn't:

Republicans Confirm: $30 Billion for Unemployed Would Bankrupt Us, but We Should Extend $600 Billion in Tax Cuts for the Rich (Paul Krugman, "Redo that VooDoo," NYT).

It's All About the Wages: Economy Would be Fine if Everyone Made Their Fair Share (Robert Reich, Alternet). See also 22 Statistics that Prove the U.S. Middle Class Is Being Systematically Wiped Out (Business Insider).

Corporate Media Abet Banksters' Lie that Corporate Communisim Is Working ("Lies Divide, Truth Unites," Dylan Ratigan, The Big Picture).

Goldman Gets Off with Fine Worth One Week of Its Trading Income and a Small Fraction of the $16 Billion It Paid in Bonuses Last Year ("Wall Street: The Banks Are Still the Boss," The Guardian).

Unequivocal, Real-time Evidence of Illegal Stock Market Manipulation (Karl Denninger, Market Ticker, starting about half-way into the video).

The New Finance Bill: A Mountain of Legislative Paper, a Molehill of Reform (Robert Reich).

(And speaking of market manipulation, I hope you've heard of the gummint's Plunge Protection Team?)

July 13, 2010

The Sandin Analogue Image Processor

In this 1971 video, Dan Sandin gives an overview of his invention, which was part of the early research that resulted in the the EVL Lab.

Based on the hat alone, you know it's gonna be good.



More info at EVL.

Charlotte Moorman Plays Nam June Paik's TV Cello

(1984), from a tv special Paik did for PBS's Good Morning Mr. Orwell; this is some of the more appealing footage I've seen of Moorman playing one of Paik's cellos (don't forget to thank public tv with your donation!)



That's George Plimpton with her, sounding uncomfortable. He should have seen Moorman's performance of TV Bra for Living Sculpture -- or maybe he'd heard about it.