I've now watched all of Parts 1 and 4 and plan to watch all parts at least twice, taking notes. For me, this is the most important documentary since "Manufacturing Consent: Noam Chomsky and the Media" (1970).
The Century of the Self presents more proof than anyone could ever want that we are living in a fantasy created for us by powerful elites -- a fantasy that pretends to offer happiness but that actually diverts us both from effective action and from true fulfillment.
We all kinda knew that, but the documentary provides fascinating details about how it's been done and for how long, as well as insight into the implications for our future. To take back control of our lives, we'll need more than just the general idea, both in order to free ourselves and in order to help make others aware.
You can see the series on the Internet Archive or Google Video.
Knowledge truly is power. Please run don't walk to see The Century of the Self, and tell everyone you know to see it. More details, including the embedded Part 4, in my previous post on it, here.
January 19, 2008
MUST SEE: "The Century of the Self" by Adam Curtis
January 18, 2008
January 17, 2008
Seven Screens
Seven Screens is a platform for temporary, digital art projects in Munich. Each stele can be interpreted as a fragment, as an autonomous image carrier, as a sculptural monument, or as an architectural element. There is no vantage point from which the seven screens can be viewed together to form a contiguous field. It's left to the viewer's cognition to resolve the elements into a closed entity.
Works in the pic at right, from upper left to lower right, are: Haubitz+Zoche, Munich: 2027; ART+COM, Berlin: Reactive Sparks; Diana Thater, Los Angeles: Off with their Heads; Mader/Stublic/Wiermann, Berlin: reprojected. (Copyright: Osram Art Projects. Photographers: Haubitz+Zoche, Stephan Kausch, Mader/Stublic/Wiermann.) This spring's offerings will include works by ART+COM, Anouk de Clercq, and Bjørn Melhus.
The project's curator is Christian Schoen (director of CIA.IS, Center for Icelandic Art, Reykjavík, and commissioner of the Icelandic pavilion at the Venice Biennale 2007 and 2009.) Additional information at Osram.
(Thanks, e-flux!)
January 16, 2008
Could Jon Stewart be Getting Desperate
enough – because of the writers' strike – to be reading my blog? Tonight he aired an interview of the author of the book mentioned in one of my prior posts, Amazon Customers' Tags for "Liberal Fascism: The Secret History of the American Left".
Jenny Holzer Installation
I tried to resist blogging this but couldn't. At MoCA, from both ends of a huge room, poems by 1996 Nobel laureate Wislawa Szymborska are starkly projected. Giant beanbags dot the space like islands. On view through fall 2008; more at The NYT.
Holzer's is a great example of art I started out hating but quickly came to love. The first thing of hers I saw was a large, LED display of the text, "Money Creates Taste." The town I live in seems to refute that idea utterly. But the statement stuck in my mind in the same way something odd in Shakespeare sometimes does -- something that at first seems paradoxical or just wrong, and later seems so circuitously right (see Cleanth Brooks' The Well Wrought Urn).
And thus do we of wisdom and of reach,
With windlasses and with assays of bias,
By indirections find directions out . . . -- Act II, scene i, Hamlet
AT&T Considering Monitoring All Internet Traffic
Mind-bogglingly bizarre: per Slate.com, "last week AT&T announced that it is seriously considering plans to examine all the traffic it carries for potential violations of U.S. intellectual property laws. The prospect of AT&T, already accused of spying on our telephone calls, now scanning every e-mail and download for outlawed content is way too totalitarian for my tastes." I'm not sure why they'd bother, if that were the only motivation; sounds more like they're floating an after-the-fact rationalization for Mark Klein's allegations.
January 14, 2008
brag on my niece
Her "Favorite Quote: 'oh look, a wall...OW! the wall hurts!'"